“Mare dentro” is the exhibition designed by Andrea Tabocchini Architecture for the photographic exhibition “Camere con Vista”, promoted by Associazione Demanio Marittimo Km-278 in collaboration with Direzione Regionale Musei MIC Marche, ICCD – Istituto Centrale per il Catalogo e la Documentazione del Ministero Della Cultura and with ISIA of Urbino. Curated by Cristiana Colli and Carlo Birrozzi, the exhibition took place in the fascinating Rocca Roveresca of Senigallia.
Mare Dentro
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Location
Senigallia, Italy -
Exhibition Design
Andrea Tabocchini Architecture -
Exhibition Design Team
Andrea Tabocchini, Francesca Vittorini -
Graphic Design
ISIA Urbino, Jonathan Pierini, Francesco Delrosso -
Exhibition
Camere con Vista. San Benedetto/Pesaro. Andato e Ritorno -
Promoters
Associazione Demanio Marittimo KM-278, Direzione Regionale Musei MIC Marche, ICCD - Istituto Centrale per il Catalogo e la Documentazione del Ministero Della Cultura, Isia Urbino -
Direzione Regionale Musei MIC Marche Director
Luigi Gallo -
Rocca Roveresca di Senigallia Director
Alessandra Pacheco -
Curators
Cristiana Colli, Carlo Birrozzi -
Artists
Alessio Ballerini, Luca Capuano, Paola de Pietri, Pierluigi Giorgi -
Photographs
Martina Simonato
The design of the exhibition stems from a subtle and abstract interpretation of the Adriatic Sea, which is the subject investigated by the photographic works on display. A blue and silver sea with flickering waves on which "the stars pass and the wind breathes", as described by the poet Giovanni Pascoli; a "small port open to dreams", as narrated by Umberto Saba; a place that, from the post-war period until today, seeks a difficult balance between its exquisitely scenic nature and its receptive development built along horizontal axes. On the one hand, the Adriatic Sea is that metaphysical place captured with great sensitivity by Mario Giacomelli in his series "The sea": an undisturbed shoreline "without the scent of sun cream and sound of splashing in the shallows. The beach is ensconced in out-of-season silence". On the other hand, the architectures of hotels and guest houses built to overlook the sea: concrete envelopes of rooms with a view on the sea that have defined a precise tourist identity of the Adriatic city and that, still after seventy years, embody the desire for summer escape for families and tourists.
The exhibition design plays with this duality, looking for an abstract interpretation that blends the beauty of the seascape with the "pop" soul that has characterized the Adriatic coast for decades. Blue lights, silver reflections, thin white surfaces and a sea of confetti elegantly invade the spaces of the Rocca, creating a suggestive exhibition that immerses the visitor in an unexpected dreamlike and hedonistic world.